Aeon: Commemorating Martin Lodge

Various Artists

Release date: Thursday, May 21

Recorded at a concert celebrating the life, artistry, and fellowship of Martin Lodge, Aeon is a loving tribute from some of Martin's closest colleagues: John Psathas, Michael Williams, Gillian Whitehead, Kenneth Young, Eve de Castro-Robinson, plus a piece Martin co-wrote with Bjørn Arntsen.

The music was performed by Jade String Quartet (Miranda Adams, Kathryn Taylor, Robert Ashworth, James Yoo), Jonathan Jung (piano), Ashley Brown (cello), Tessa Brinckman (flute), and Lara Hall (violin).

Among his peers, Martin is regarded as one of the most important figures in New Zealand contemporary music of the last 70 years. His eclectic musical style blended Western classical traditions, Māori musical elements, and natural soundscapes. He was especially interested in the potential of music to acutely reflect the interior landscapes of many people.


Produced by Kenneth Young
Recorded and mixed by Arntsen at the Gallagher Academy of Performing Arts, Hamilton, April 26 & 27, 2025
Piano tuning by Anthony Shaw
Mixed by Bjørn Arntsen
Mastered by Steve Garden
Cover painting, Negroflotante, by Bill Nichol
Design by UnkleFranc
Printing by Studio Q

Released: 21 May 2026
Catalogue: RAT-D166


MARTIN LODGE

 

Born in Tauranga in 1954, Martin studied English and German at the University of Waikato, graduating with an MA in English literature. He went on to do an MMus in composition at Victoria University of Wellington under Douglas Lilburn and David Farquhar, followed by a PhD in composition from the Sydney Conservatorium of Music. After spending 13 years as a freelance composer, he accepted the position as Mozart Fellow at the University of Otago in 1990-1991. In 1993, he was the Composer-in-Residence at the Auckland Philharmonia, then in 1995 accepted a position at the Conservatorium of Music at the University of Waikato. He founded the music department at Waikato University and was instrumental in establishing the Dr John Gallagher Concert Chamber, an impressive performing arts venue favoured by performers across all disciplines. He was responsible for archiving the works of music historian and writer John Mansfield Thomson, and initiating the study of Māori music for the Bachelor of Music degree, for which he commissioned a set of taonga pūoro (traditional Māori instruments). He composed several works using taonga pūoro, including Toru (2003, dedicated to Hirini Melbourne), Hau (2005), and Oiche ghealai (aka Moonlit Night, 2009).