Ondulation

Alan Brown

These contemplations and improvisations were partly inspired by an instrument called an Ondomo — a recreation by Naoyuki Omo of the Ondes Martenot, one of the earliest electronic instruments developed in 1928 by Maurice Martenot (Ondes Martenot translated as ‘Martenot’s waves’). For this set of recordings, Alan gravitated back to his primary instrument, the piano, for many of the improvisations, allowing the various background colours to inform the process. The result is an album of great beauty and invention, rich in sonorous textures and equally rich emotional resonances.

Produced, composed, recorded and mixed by Alan Brown
Mastered by Angus McNaughton (angusmcnaughton.com)
Cover photography by Chris Melville
Designed by UnkleFranc
Printing by Studio Q


SEVENTH HOUSE MUSIC Vol 9

The Seventh House Music series champions artists who unapologetically follow their muse free of commercial or generic confines. It serves as a platform for collaborative and improvisatory works, music discovered in the process of being formed.


Released: 10 August 2023
Catalogue: RAT-D142


ALAN BROWN

Alan is a musician with a long and revered history in the New Zealand jazz scene as a pianist & Hammond organist. He was the bandleader of the successful jazz-funk ensemble Blue Train in the 1990s and the organ-based Alan Brown Trio in the 2000s. He has been an enthusiastic music educator for many years and enjoys repairing vintage keyboards and synths.

 

“In late 2021, I acquired a handmade 'Ondomo,' an instrument that had interested me for a long time. While the piano is known for its expressiveness and as a keyboard controller for synthesizers, I have always been intrigued by alternative methods of interfacing with electronic musical instruments. The Ondes Martenot stands alone in this respect, featuring a distinctive approach to playing the instrument that several contemporary instrument makers have since adopted, yet it has taken almost 100 years for this approach to gain widespread recognition!

 Throughout the album, there are subtle nods to the history of electronic creative expression and development during the 20th century, including a recorded interview with the great Delia Derbyshire from the BBC Radiophonic workshop, as well as shortwave radio excerpts that I’ve employed as a tribute to the original tones produced by the Ondes Martenot using heterodyne radio frequencies.

 While many tracks feature the instrument as a solo voice or layered texture, my primary focus was musical and personal expression. The Ondomo is invaluable in this regard, but it’s only one aspect of the album's musical character. Similar to my previous release, Murmur, I incorporated generative techniques in some of the compositions, but I also found myself gravitating back to piano improvisations, which served as the foundation for several pieces.”

 Alan Brown, July 2023