In Concert at Kāhui St David's

From Scratch

RELEASE DATE: Thursday, October 29, 2026

Phil Dadson and From Scratch are heroes on the New Zealand cultural landscape, visionary artists who imbue their creative practice with deep personal and political conviction.

Heroes are travellers who journey into uncharted regions of human experience to “tame the tigers" that dwell there. “In Concert at Kāhui St David's” is a tribute to such people, echoing their search through rhythm and melody, a quest that seeks to satisfy not just the ear, but also the heart and the soul.

Track one: Metroplex, an improvisation by From Scratch © 2025
Track two: 625 Moons, composed by Shane Currey © 2025
Track three: Songs for Unsung Heroes, music and lyrics composed by Philip Dadson © 1989/2025, reprised and transcribed by Shane Currey (2025), dedicated to the memory and teachings of Sheikh Abdullah Isa Neil Dougan

"There's an old saying that once on the tiger's back, there is no getting off."
Phil Dadson

Produced by From Scratch
Performed by Adrian Croucher, Shane Currey, Philip Dadson, Darryn Harkness, and Chris O’Connor
Recorded by John Jungseok Kim, Rueien Miao, and Adrian Hollay for RNZ Concert
Mixed by Steve Garden
Mastered by Luan Meeker
Videos by John Pain
Design by UnkleFrance
Printing by Studio Q



Released: 29 October 2026
Catalogue: RAT-D171


This release presents live recordings from a fundraiser concert for the Children of Gaza, the final concert of a Chamber Music NZ tour staged at Kāhui St David's in Auckland, 2025. The programme includes a recently revised 45-minute work from the From Scratch repertoire, Songs for Unsung Heroes, plus improvised responses to two short films:

Metroplex is a musical response to Gregory Bennett’s film, “Metroplex” (2024), a digital animation evocative of ritualised human conditioning amidst a fantastic, mechanised and dystopian landscape. The music is performed on DIY-invented and found instruments, including drums, cymbals and bells.

Aerial Bells, composed by Shane Currey, is a musical response to Teresa Peters’s “Black Moon” (2023), which fuses raw clay into digital media. The black moon marks the cyclical point of complete regeneration in the lunar phases. Unseen to the human eye, it represents a turning point of new life and positive transformation. The music is performed on Shane’s aerial bells.

"The awareness and use of space in this music suggest a physical sense of the Pacific unlike anything else I’ve heard."
Nick Bollinger, THE LISTENER

"Music from wise heads... making percussion do more than you ever thought it could... life-affirming in a very accomplished way."
Russell Brown, RIP IT UP